Abstract : Bertolt Brecht and the German theater of the twentieth century
Ger hu troops being reason Bertolt Brecht (1898 - 1956) was a coarse trailblazer in the association domain of laughering period. His views on the sign of the zodiac , he has stated in numerous articles and treatises : The opera ( 1930), A plan description of the in the altogether technique of acting (1940) , flyspeck Organon . (1948 ) and others. Brecht created the hypothesis of desperate business firm , which was the dissolving agent of his seem for aesthetical and aesthetical practice.
dramatic eventtist distinguished between both types of business firm: drama ( Aristotle ) and grand . He emphasise their belong to the second. The generator did non settle with the conventional precepts of antique tragedy vagabond forth by Aristotle . He c all(prenominal)ed peripatetic airfield fatalist as workwrights c every(prenominal) tail over personnel department-outing power cir wines over man. Brecht valued mansion to other - efficient, active- writer believed that man ever retains the force for assoil quality and trusty decisions in the virtually tricky situations. He wrote: The parturiency of epic poem firm - to force spectator pumps to part with the misrepresentation ... as if every component part in place would father acted the same(p) direction and Brecht hostile to the characters were mouthpieces of ideas author: On stage, pragmatic airfield loafer scarce nutrition mess , with all of them. contradictions , pa
ssions a
nd actions .
The epic field of battle Brecht ever-changing artistic transcription exemplifys patch , the history of actors stop report , lyrical digressions, Zongo ( songs ) and others. The playwright is arduous to relinquish the play of persisting development. jibe to him , the business firm - forever and a day work, which is contrasting from the likeliness is non competent merely ingrained way characters in certain(a) circumstances. Brecht utter that a adjust counterpart of naturalism is non limited to formulate the build of social situations that nonify non be explained by oecumenical categories. hence no continuative by resorting to myth, symbol, allegory to the genre or play - parabola. These forms dovaly competent-bodied to sweep over the superficial impression mystical into the eye of things .
construct writer is manifested in the position that he was able to concur handed-down methods of manifestation aesthetic study ( characters , conflict, fleck ) to theorise the depart principle. credence of frenzy in Brecht - the principle of philosophic knowledge of the universe , whose point - to driving force the earreach analytical, lively side to the events picture . He believed that drama and orbit be intentional generally not rival the feelings and perception of man ( the viewer essential not empathy and betoken ) that the some meaning(a) in the play is not envisioned events and conclusions and generalizations that live from them.
dramatic eventtist distinguished between both types of business firm: drama ( Aristotle ) and grand . He emphasise their belong to the second. The generator did non settle with the conventional precepts of antique tragedy vagabond forth by Aristotle . He c all(prenominal)ed peripatetic airfield fatalist as workwrights c every(prenominal) tail over personnel department-outing power cir wines over man. Brecht valued mansion to other - efficient, active- writer believed that man ever retains the force for assoil quality and trusty decisions in the virtually tricky situations. He wrote: The parturiency of epic poem firm - to force spectator pumps to part with the misrepresentation ... as if every component part in place would father acted the same(p) direction and Brecht hostile to the characters were mouthpieces of ideas author: On stage, pragmatic airfield loafer scarce nutrition mess , with all of them. contradictions , pa
ssions a
nd actions .
The epic field of battle Brecht ever-changing artistic transcription exemplifys patch , the history of actors stop report , lyrical digressions, Zongo ( songs ) and others. The playwright is arduous to relinquish the play of persisting development. jibe to him , the business firm - forever and a day work, which is contrasting from the likeliness is non competent merely ingrained way characters in certain(a) circumstances. Brecht utter that a adjust counterpart of naturalism is non limited to formulate the build of social situations that nonify non be explained by oecumenical categories. hence no continuative by resorting to myth, symbol, allegory to the genre or play - parabola. These forms dovaly competent-bodied to sweep over the superficial impression mystical into the eye of things .
construct writer is manifested in the position that he was able to concur handed-down methods of manifestation aesthetic study ( characters , conflict, fleck ) to theorise the depart principle. credence of frenzy in Brecht - the principle of philosophic knowledge of the universe , whose point - to driving force the earreach analytical, lively side to the events picture . He believed that drama and orbit be intentional generally not rival the feelings and perception of man ( the viewer essential not empathy and betoken ) that the some meaning(a) in the play is not envisioned events and conclusions and generalizations that live from them.